All About Tattoo: Japanese

Amanda and Her Koi

This koi is swimming upstream on Amanda's left arm.

Talking to her in Penn Station, Amanda explained that she was "really interested in the Japanese style".

She received the tattoo from Pat James Dean at Tattooville, in Neptune, New Jersey. Done in two sessions, Amanda told me that she selected Pat, in part, because he had his whole back inked in the traditional Japanese fashion. I'm going to take a leap and say it might have been by Horiyoshi III of Yokohama, based on a reference in his bio on the Tattooville site.

Thanks to Amanda for sharing this, one of four tattoos she has, with us here on Tattoosday.

This entry is �2011 Tattoosday.

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Andrew's Traditional Sleeve by Horisei

Every once in a while, it's nice to appreciate a tattoo for its own sake. This is especially rewarding for me when I am familiar with the artist, and I know people who have been tattooed by him or her, which has allowed me to appreciate their craft over time.

Two of my friends have been fortunate enough to have been tattooed by the wonderful Horisei (their work appeared here and here). Horisei works out of Chelsea Tattoo Company, former location of Rising Dragon.

So, when I spotted Andrew, coming out of Penn Station last month, I was more than thrilled to take shots of his Horisei-crafted sleeve.

Andrew estimates that this took about twenty hours of work, over a two to three month period.

His traditional Japanese sleeve consists of a tiger, two koi, and peonies, in addition to the water background.

Thanks to Andrew for sharing his awesome sleeve with us here on Tattoosday!

This entry is �2011 Tattoosday.

Our 1000th Post! David's Mermaid and Seahorse Blow Us Away......

Pardon the royal "we," but this is our 1000th post, and we feel a little celebratory.

To honor this milestone, we are sharing this amazing half sleeve belonging to David:

This astonishing work is the creation of artist Erick Lynch at Redemption Tattoo in Cambridge, Massachusetts.

David said that he had wanted a mermaid, as his wife loves mermaids, and that Lynch's work reflects a traditional Japanese style, thus the female figure appearing as a pearl diver, which is more in line with Japanese artistic tradition.

The whole of the half sleeve represents about 12 hours of work, in David's estimation, which includes the inside of the biceps, and this phenomenally vivid seahorse:

David points to Erick Lynch's use of white highlights in the seahorse, which really makes it "pop".

All in all, this is a remarkable piece of work that we are honored to have as our 1000th post here at Tattoosday. Thanks to David for sharing it and to Erick Lynch for his mastery of the art form!

This entry is �2011 Tattoosday.

Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

The Tattooed Poets Project: Brendan Constantine

One of the more satisfying aspects of this year's Tattooed Poets Project has been completing posts for poets who first contacted me in 2009 during our inaugural year of the endeavor.

In Brendan Constantine's first e-mail to me, back in February 2009, he mentioned being "extensively tattooed," a fact that, over the last thirteen months, escaped me. Brendan and I have stayed in touch, and he was finally able to send me a photo last night of one of his tattoos. I was surprised to see this amazing back piece:

Photos by Shawn Burkley

Brendan explains how this work came into existence:

"In 1994 I went to an retrospective of legendary Japanese artist, Kawanabe Kyosai , at the National Gallery in London. Known as the �Demon of Painting,� Kyosai was among the very first artists in his country to bring western techniques to bear upon traditional themes, a move which earned him much criticism. I was transfixed by his work and came home with a huge book of his prints. Artist, Kirby White, then with Yoni Tattoo in the San Fernando Valley, shared my enthusiasm for this unique painter and said, �I would kill to work in this style!�

Unfortunately, halfway through the process, Kirby began to experience chronic back pain which ultimately kept her from finishing the piece. Nevertheless, I asked that she sign it, something few if any people allow artist�s to do. I know the work is supposed to be its own signature, but I wanted the piece to bear Kirby�s mark the same as if it had been rendered on rice paper.

Photos by Shawn Burkley

About two years later I met artist Sung Song at Pure Tattoo in Los Angeles (he has since moved on, now at Unbreakable Tattoo in Studio City) and discovered he was also devoted to the work of Kyosai . I showed him where Kirby left off and he enthusiastically finished the job, adding his own improvisations while respecting Kirby�s work. The piece now bears both their idiographic signatures as part of the design. I�m a happy gallery!"

Photos by Shawn Burkley

Thanks to Brendan for sharing this amazing work!

Please be sure to head over to BillyBlog to read one of his poems here.

Brendan Constantine is a poet based in Los Angeles. His work has appeared in numerous journals, notably Ploughshares, Ninth Letter,The Cortland Review & RUNES. His book, Letters To Guns, was released in 2009 from Red Hen Press. He is currently poet in residence at The Windward School and Loyola Marymount University Extension.

Tattoos I Know: Paul, Part 5 or, The Great Cover-Up of 2008, continued...

In December 2008, we posted about our friend Paul getting some cover-up work done on his upper right arm. Revisit the report here.

We checked in with Paul again this past November to see the progress (here). And, just last Friday, he updated us again on the latest efforts by Horisei, who has one more session before this cover-up is done:

Horisei tattoos out of the Chelsea Tattoo Company, formerly the home of Rising Dragon.

Thanks again to Paul for sharing. I'm guessing we'll see the finished product later in 2010!