Tim's Sleeve Illustrates A Vision of Life on Earth

I met Tim back in April in Penn Station and took several pictures of his left arm, which is fully-sleeved. What follows is a presentation of the work, from top to bottom:


There's a lot going on here, but Tim summed the theme of the sleeve as "Hell is the world we're living in, and we're all trying to escape Death." The top of the arm features the angel, Gabriel, watching over us.

The city that is burning is based on Boston, where Tim is from.

Tim estimates that this sleeve took twenty-seven hours, in three nine-hour sessions. Yes, you read that right, nine-hour sessions! That's commitment! He credits Dan Soule at Milltown Ink in Bondsville, Massachusetts with this incredible work.

Thanks to Tim for sharing his sleeve with us here on Tattoosday!

This entry is �2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Christine's Sleeve of Colorful Flowers and Butterflies

Some posts don't need a lot of explaining. I met Christine on 3rd Avenue in Bay Ridge earlier this month, and she shared these stunning tattoos, perfect for celebrating on a warm spring day:


The Tiger lily and Red-spotted Purple butterfly above are only the top section of a full sleeve:


The flowers on the forearm are Violets, which span the inside of Christine's arm, as well:


And that's an American Painted Lady butterfly in the ditch.

This amazing, and vibrantly colorful sleeve was inked by Tim O'Connor at The Red Parlour in the Woodside section of Queens, New York. We featured work by Tim and The Red Parlour once before, here, back in 2008.

Thanks to Christine for sharing her wonderful sleeve with us here on Tattoosday!


This entry is �2011 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

John's Root People

At the end of July, I coincidentally exited the A train at 14th Street at the same time as John, who was visiting from Nevada.

I had been admiring his sleeve on the train, but didn't have the opportunity to speak to him about it until after he got off the subway.

He referred to these creatures as "Root People":


It's an abstract collaboration with the artist, Rickett, at The Ruby Lantern in Carson City, Nevada.


They started working together in January of this year, and they're not yet finished with the whole sleeve. As you can tell, it's very unusual and has a very unique approach.


These designs are all on John's right arm, and I am particular to the female tree person above on his inner forearm.


Thanks to John for sharing his Root People here with us on Tattoosday!

Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.


Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....


Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.


He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.


It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.


Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

All I Want for Christmas is a Tattoo with Teeth

On Christmas Eve afternoon, I was passing through Penn Station, I spotted Lindsay, a woman with what appeared to be a sleeve that had a water-inspired design.

It wasn't until after I approached her and asked if she wanted to contribute to Tattoosday that I saw, as she rolled up her sleeve, what awesome work she had done on her left arm:


Lindsay said that, like all of her 14 or 15 tattoos, none of them have "deep meaning". She just goes with whatever she describes as an "intense urge" at the time she's getting the tattoo.

The sleeve above started with her taking photos with stylings to the artist, saying she wanted a bloody shark. This was the first part of the tattoo:


She then expanded it with this segment of shark


which is certainly reminiscient of the movie poster for Jaws.


This piece was created in four sittings lasting 3-4 hours each, by John Reardon at Saved Tattoo (which was the shop responsible for yesterday's post, too).

Work from John Reardon has appeared here on Tattoosday previously. Work from Saved appearing on the site can be seen here. Reardon is also the author of The Complete Idiot's Guide to Getting a Tattoo.

Thanks to Lindsay for taking the time to share her incredible shark sleeve with us here on Tattoosday!

Merry Christmas and Happy Holidays!!

Benjamin's Amazing Viking-Geisha Sleeve by Tim Kern


Please join me as I extend a metaphor.

I approach inkblogging as if I were one of those guys that goes out on the beach with a metal detector.

You find a lot of interesting stuff and, every once in a while, you find treasure.

Earlier this month, I saw a man in front of Madison Square Garden walking south. I was headed in the opposite direction and, despite my general reluctance to post sleeves here (I wonder if I can even do them justice), I stopped and asked him to show me the amazing work on his right arm.

I should also preface this by acknowledging how awesome it is to randomly find work by a tattoo artist who is at the top of his game, and is a recognized talent in the tattoo community.

Benjamin, the guy I stopped, was visiting New York from Denmark to see his artist, Tim Kern at Tribulation Tattoo. He was in town to begin work on a new sleeve. Benjamin happily shared his first sleeve:


Benjamin summarized the theme of his arm by stating that life is about choices. The two extrmes are, you can take a life, as represented by the Viking warrior at the top of the shoulder:


This is juxtaposed by the geisha who is taking her own life through ritual suicide:


The detail of the blood-spattered hand holding the seppuku blade is fascinating in its stark grisliness:


The sleeve also includes stunning waterfall and pagoda elements on the inside of the arm:


I especially appreciate the beauty and shading of the pagoda:


The color and artistry of this entire sleeve are astonishing and we are honored that Benjamin consented to contributing this work to Tattoosday.

We thank him and the artist Tim Kern for their work!